Thursday, December 27, 2012

The Dramarama

I was never as excited about Jeff Rient's Carousing Table as everyone else because it seemed the only player that would roll on a table that takes your money and gets you into trouble is thinking a little more extra-diegetically than made sense to me.  Or maybe I should just say I doubt I would take the risk with any of my characters.

But then I got to thinking, what carousing is really doing is injecting some story complications from outside player or DM contributions into the game that has few ways to do that.  Well, the players are choosing to roll on the table, so you could say they are injecting these twists, but they don't know all the possibilities on the chart and they certainly aren't making up bits of story on their own.  Neither DM nor players have to be responsible for it making sense or being good, or all the things you might feel responsible for if you were plotting out a railroad.  This works because when carousing you are presumably soused out of your mind, so the player can feel okay about giving up some agency for any choices they make while carousing.

I realized this some time after making my table that let's you know what you did when you were a werewolf.  Which absolves players of responsibility in a different way.  And I started wondering if there were any other ways than carousing or lycanthropy you might inject some story-like twists without taking away the players' agency.  And I thought the one thing we can't choose and all have is Family, baby!  And thus was born the Dramarama:
Roll 4d30.  First tells you which of your family members is causing a ruckus, second what they are up to, third is for who else is involved and fourth is what they want from you.

There are nonsensical and gonzo results possible, as well as results that may require a little interpretation work on you part.

Why would players want to mess with this?  Well, it could be a "fee" for coming back into town.  That would keep players from shopping incessantly or hunkering down and not exploring.  I would probably roll randomly to determine which party member was affected once per session spent in town to go this route.

Or, you could balance it with reward: allow any player to gather a rumor per roll on the Dramarama or gather more information about things they want to investigate.  Presumably their sprawling chaotic families have heard lots.

Of course, the results from the table could be completely ignored by players.   But I would probably make the Second Parties involved or local authorities (for the more criminal results) put some pressure on PCs about  the issue somehow.

I'll upload a pdf when I'm back home.

Update: Here is the pdf.


  1. Very nice. I always enjoy reading this sort of table, and it may prove to be useful at the table as well... if not for players, than for NPCs (say, in a court setting). Every player of a noble background should roll twice.

    I had a simpler version of this in my character generation sheet, and left it up to the players or myself at the table to come up with the various details.

  2. I love the idea of using it as a penalty for coming back into town.

  3. Instead of a town cost, you can provide a reward for solving the problem and/or a complication for not solving it. Depending on the situation. That's like family - there is a cost, but they aren't all downsides. Otherwise you might get a lot of CE Orphans in your games, or people who act like them.

    Oh, and I might roll regularly - so if you stay away from town for 3 months and come back, bamn, lots of stuff happened . . .

  4. Hey thanks, all, I made it back only slightly scathed from upper suburbia.

    @Peter: That's the smarter way to do it: they deal with the family issue *before* they get the rumor. Thanks.

  5. Good idea. I like your posts about towns and NPCs. It's an area of the game that's often neglected, and I'm glad someone's producing good resources for it.

    How I might use this chart is have it only affect characters with certain backgrounds, as a trade-off for coming from a large or rich family. So a nobleman character could start with extra gold and family connections, but constantly get dragged into family drama, while a homeless wanderer would start with less resources but never have to roll on the chart.

  6. Thanks, Alonzo and that's a great idea-- tangible downside for the wealthy or the local.

    1. I've taken a stab at creating a similar formula for random town events:

  7. For extra drama, roll a fifth d30. On an even, proceed as normal. On an odd, replace the second party entry with "you". It could get downright Shakespearean fast.